SZENE
Salzburg

Fr.21.11.

Choreographic Platform AustriaMyassa Kraitt

THE LAST FEMINIST

dance
© Hanna Fasching
© Hanna Fasching
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In search of the first feminists, THE LAST FEMINIST begins in a dystopian city. Here, the end of the planet seems more real than the end of capitalism. The last committed feminist sets out as a time traveller on the trail of vanished cosmologies destroyed by colonialism. Along the way, she joins militant princesses, queer cryptofeminists, emotional bitches, and post-dramatic witches. Together, they awaken feminist memory that started way before the so-called first wave of feminism, memory carried in ancestral songs, in the silenced names, and people left out of the frame, memory that is defiantly unruly. They rhyme, sing, and rap, carried by poetics that seek feminist solidarity in failure. The multidisciplinary piece fuses feminist performance, battle rap, experimental pop, ceremony and concert into a charged space of reimagining. THE LAST FEMINIST unfolds as a long, polyphonic song in four episodes, a story told in fragments and rhymes, shaped by radical kinship and decolonial and queer perspectives. Between concert and ceremony, a living score emerges from rhythm, rhyme and refrain, unfolding waves that weave themselves into the textures of revolutionary love.

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